Amogh Bhatnagar.


Graphic Designer, among other things.
 


PROJECTS


Chalk & Cheese Films / Website Design / 2026

Chalk & Cheese Films / Visual Identity / 2025


14 Norient Festival / Key Visual / 2025


Coming From Mud / Visual Identity / 2025


Journeying Across the Himalayas / Visual Identity / 2025


Collage as Language, Language as Collage / Artist Book / 2024 / Halden Bookworks

Art India Magazine 30th Anniversary / Identity / Editorial Design / 2026
Art India Magazine 28_01 / Editorial Design / 2025

Art India Care Fund / Identity / Merchandise / 2025


Art India Magazine 27_03 / Editorial Design / 2024


Art India Magazine 27_02 / Editorial Design / 2024


Art India Magazine 27_01 / Editorial Design / 2024


Art India Magazine 26_04 / Editorial Design / 2024


From Where I Stand / Exhibition Identity / Publication / Website / 2023


Bezoar Delinqxenz / Book Design & Typesetting / 2022


Unreleased ‘Nike by You’ Campaign / Illustrations / 2022 / Art&Found


Kochi Muziris Biennale 2022 / Website Design / 2022

Lines of Sight / Publication & Exhibition / 2021


Why Not? / Visual Identity & Packaging / 2021


Editorial Illustrations / Various


Campaigns: Squadron 14 x Raw Mango / 2021–26


CURATORIAL


Common Nouns / 2024 / Squadron 14 


From Where I Stand / 2023 / Future Flow 


Lines of Sight / 2021 / National Institute of Design 


COLLAGE


Archive: 2025
2025: Collage tool


Archive: 2024


Archive: 2023


Archive: 2022



WRITING


The Arches of Lodhi Colony / Paper Planes 


Design as Authorship / Master Thesis / Available on Request
Design as Authorship v0 / Essay 


Indian Graphic Design / Essay 


Graphic Design Systems / Essay 





A.B. 2026


Coming From Mud
Visual Identity

2025, Independent



Lorem Ipsum...

Coming From Mud is an independent online art gallery set up by ceramic artists Shirley Bhatnagar and Falguni Bhatt, who started it with the aim of an artist-run platform for artists, sculptors and ceramists to show their work to an audience with minimal barriers. The identity celebrates the spirit of openness and simplicity through simple visual metaphors. The logotype is set in Universal Thirst’s typeface ‘Seismic’ which echoes the sculptural character of imprints of the hand on wet clay, while the circular wordmark draws its form from the potter’s wheel. Designed to be used in sparse applications which let the artworks be the hero, the identity features restrained, muted colours and plenty of negative space.