Amogh Bhatnagar.


Graphic Designer, among other things.
 


PROJECTS


Just Bodies – Aphtc / Album Art / 2026


14 Norient Festival / Key Visual / 2025


Coming From Mud / Visual Identity / 2025


Journeying Across the Himalayas / Visual Identity / 2025


Collage as Language, Language as Collage / Artist Book / 2024 / Halden Bookworks

Art India Magazine 30th Anniversary / Identity / Editorial Design / 2026
Art India Magazine 28_01 / Editorial Design / 2025

Art India Care Fund / Identity / Merchandise / 2025


Art India Magazine 27_03 / Editorial Design / 2024


Art India Magazine 27_02 / Editorial Design / 2024


Art India Magazine 27_01 / Editorial Design / 2024


Art India Magazine 26_04 / Editorial Design / 2024


From Where I Stand / Exhibition Identity / Publication / Website / 2023


Bezoar Delinqxenz / Book Design & Typesetting / 2022


Unreleased ‘Nike by You’ Campaign / Illustrations / 2022 / Art&Found


Kochi Muziris Biennale 2022 / Website Design / 2022

Lines of Sight / Publication & Exhibition / 2021


Why Not? / Visual Identity & Packaging / 2021


Editorial Illustrations / Various


Campaigns: Squadron 14 x Raw Mango / 2021–26


CURATORIAL


Common Nouns / 2024 / Squadron 14 


From Where I Stand / 2023 / Future Flow 


Lines of Sight / 2021 / National Institute of Design 


COLLAGE


Archive: 2025
2025: Collage tool


Archive: 2024


Archive: 2023


Archive: 2022



WRITING


The Arches of Lodhi Colony / Paper Planes 


Design as Authorship / Master Thesis / Available on Request
Design as Authorship v0 / Essay 


Indian Graphic Design / Essay 


Graphic Design Systems / Essay 





A.B. 2026


Bezoar Delinqxenz
Book Design & Typesetting
2022, Squadron 14










"Taking off along the grotesque evolutionary curve of the internet, this novel by Mochu brings together Japanese otaku subcultures, Hindu mythology, darknet highways, ultraviolent cyberpunk forums, and renegade university departments to forge a transnational narrative that trips through the incompatible fantasies of rationality and civilization, with wormholes through ancient tales, recent cinema, plain-wrong art histories, and pirated philosophical reflection"

Our design operates between the stylings of a traditional novel and communications across digital and analogue media that informed the narrative; including online message boards, faxes and telegrams, and cryptic digital passphrases. The cover features a cryptid, conceived and modelled after the themes and motifs from the text.








Creative Direction: Adityan Melekalam
3D: Anmol Jaswal
Published by Edith Russ Haus & Sternberg Press